The entire third act is anticlimactic and forgettable, and one has to wonder why Mr. Almodóvar has to let his penchant for melodrama ruin a well executed noir. While its self referencing love of cinema is a feast for any cinephile, I can't help but feel that the film ultimately just runs out of gas. He hears news of the death of Ernesto Martel, a controversial Chilean financier who bankrolled his last movie as a director, and flashbacks take us to this heady period in the 1990s when in return for the plutocrat's lavish funding, Mateo cast Martel's mistress in the lead role, and had a passionate affair with her. Especially in the first hour, his lifting of the lid off each new Petrushka doll gives palpable pleasure to the audience. In fact, at times, it's a good movie. Pedro Almodóvar embroiders his career themes – with the help of a hyper-beautiful Penélope Cruz, says Peter Bradshaw, Broken Embraces. But coming from a master like Almodovar, one can't help but … Robin's Review: B. Harry Caine (Lluis Homar) is blind, a screenwriter and not whom he seems to be. This is a world in which the warm spontaneity of a Marilyn Monroe would not have wide room to breathe. Cruz delivers a role with wit and elegance, but there's a vacuum sapping the energy she tries to offer. BROKEN EMBRACES is an engrossing look at what happens when a man’s life’s passion is taken away from him. Fate, though, took his sight and the love of his life, Lena (Penelope Cruz) in “Broken Embraces.” Broken Embraces seems to be a typical Almadovar film - which is very good, to say the least. BROKEN EMBRACES tells the story of 50-ish Mateo (Lluis Omar), once a popular film director but now a screenwriter in the dark, a man obsessed with a doomed film project made 14 years earlier. For his 17th film, Pedro Almodovar doesn’t exactly break new ground with “Broken Embraces,” instead fine tuning his gifts and decadent cinematic appetites to a satisfying routine. But behind the style is disappointing substance, a melodramatic story that's as old as Hollywood. After the movie is over and the trance has lifted, it is difficult to recall just what was so entrancing or even what the film was about. It's an embrace I want to submit to. Pedro Almodóvar reunites with Penélope Cruz for a … Broken Embraces hardly finds Almodóvar in quite that territory; but it is now not unthinkable that such territory lies in wait. Published. But behind the style is disappointing substance, a melodramatic story that's as old as Hollywood. The sheer, gorgeous style of Broken Embraces is what is so seductive; with his cinematographer Rodrigo Prieto, Almodóvar conjures a vivid, … Online reviewers have written 659 reviews, giving Broken Embraces (2009) an average rating of 73%. Mirror's Image: Pedro Almodovar's Broken Embraces Review Robert Barry , August 26th, 2009 09:48 Almodovar's latest is a slick and seductive film about filmmaking. Review: Broken Embraces. Broken Embraces is a cool, melancholic movie, only occasionally funny, and highly erotic in a rather chilly manner. Broken Embraces: On General Release Friday 28th August 2009 Pedro Almodovar once confessed to becoming a little enamored with Penelope Cruz, the leading lady of his last feature Volver during filming. Broken Embraces is certainly moody, and that's one of its charms. Superbly done. Robert Barry wonders if this latest Penelope Cruz vehicle sees the legendary director building on past greatness or … Talk to Her offered a story about the incredible power of speech and how it can connect people while driving others apart. Movie Review - Almodovar's 'Broken Embraces' - The Very Picture Of Romance Brace yourself: Things are about to get meta. Review. TweetEmail TweetEmail BROKEN EMBRACES, a tragic new romance from Spanish director/writer Pedro Almodovár, fits the bill for adventurous filmgoers seeking something different this time of year when Christmas blockbusters are still monopolizing screens. Being neither fantasy nor realism, but a cerebral intertwining of the two, the finished product is a truly engrossing cinematic masterpiece. "Broken Embraces" Review : I have heard Pedro Almodovar described as an acquired taste. With Broken Embraces, he certainly does not disappoint, it still has that classic Almodóvar magic, with sexual exploration and magnified emotion playing a big role. While I'm not sure it rests in the top percentile of his work, it's a daring, … Broken Embraces is a film in which the director demonstrates a continuing, virtuoso fluency in a cinematic language that he himself invented. Continues the director's streak of reliably elegant, original works, making the case, once again, that there are few other European directors working today who can match his particular blend of thought-provoking, artful, yet wholly accessible cinema. Broken Embraces is a well-written story of a love so precious it hurt. And with his editor, José Salcedo, he moves back and forth between the past and the present with a miraculous fluidity, and these seamless transitions are what induce the film's pleasurably dizzy, woozy quality, a subtle molestation of the audience's inner ear. Nick Schager. The characters develop so incredibly well and the blending of all the stories is so striking to watch. As I mentioned in my review of Bad Education, Almodovar films, like those of many internationally respected directors, are judged by different standards. (Sex is fun and funny, true desire can kill). Indeed, Almodovar is a cinematic taste who truly must be acquired by anyone who professes a true love for magnificent cinema. Embraces occasionally feels like Pedro’s settling on old grooves in lieu of finding new moves.The action cuts between 1994 and now. Though the film offers nothing new for the eyes, its wordiness ultimately acts as a complement rather than a drawback to Almodóvar's masterful storytelling. In another life, when he could still see, he was known as Mateo Blanco, a filmmaker of some repute. Now that he’s become blind, he has taken on the persona of his alter-ego, Harry. By creating an account, you agree to the Privacy Policy Almodóvar and Cruz fail to engage this time around. The stakes are higher with Broken Embraces, coming hot on the heels of the sensational Volver (2006, $85.5m worldwide) and boasting Almodovar’s biggest budget to date at $15m. In fact, at times, it's a good movie. Broken Embraces was released in 2009 and has generally received positive reviews. Stars Penélope Cruz, Lluis Homar, Bianca Portillo. The plot slowly unravels itself in a way that would make Hitchcock proud. These flashbacks disclose dark secrets. Two figures, for instance, writhe beneath a form-flattering sheet in a way that would make Magritte blush. It is about seeing. Meanwhile Martel, played with tailored elegance by José Luis Gómez, orders his moody son to spy on the couple with his videocamera under the pretence of preparing a "making of" documentary. Read the Empire Movie review of Broken Embraces. Street 3/16/10 Sony Pictures Drama Box Office $4.7 million $28.96 DVD, $34.95 Blu-ray Rated ‘R’ for sexual content, language and some drug material. Movie Review - Almodovar's 'Broken Embraces' - The Very Picture Of Romance Brace yourself: Things are about to get meta. All rights reserved. Since her star-making turn in Volver, Cruz has evolved into a great actress, whose films the audience longs to return to: she and Almodóvar have created whole and complete worlds. The movie confesses its obsession upfront. "Broken Embraces" marks Almodovar's first self homage, moving from the overwrought melodramas of Douglas Sirk to the equally over-the-top telenovella style of "Women on the Verge of a Nervous Breakdown", quoted here as a film within a film. Online reviewers have written 659 reviews, giving Broken Embraces (2009) an average rating of 73%. The film has received generally positive reviews by critics; review aggregator website Rotten Tomatoes reported that 81% of critics gave the film a positive rating, based on 152 reviews. Um dos piores trabalhos de Almodóvar, aqui totalmente entregue à auto-indulgência, ao melodrama barato e às caricaturas (o que não é novidade), mas sem a sensibilidade costumeira que normalmente contrabalança seus excessos. Fate, though, took his sight and the love of his life, Lena (Penelope Cruz) in “Broken Embraces.” “Broken Embraces’’ is drunk on its divinely sexy and sinister compositions. Broken Embraces moves us with flashes of real beauty. Broken Embraces is not a bad movie. 11 years ago. The rest of the movie reveals how Harry became blind. Quite the contrary, it is a perfectly respectabl, solid effort. Almodovar, it seems, is one of the few directors working today capable of such extremes without resorting to unnecessary histrionics. As it ravished me, I longed for a freeze frame to allow me to savor a shot. Review: Broken Embraces. 4 out of 5 stars. Sensual and stylish, BROKEN EMBRACES showcases Cruz’s many gifts, both physical and professional. Film, Comedy. But the production, when observed as a whole with the director's name attached, is a disappointment. Broken Embraces is a good film from a reliably thoughtful filmmaker. Sensual and stylish, BROKEN EMBRACES showcases Cruz’s many gifts, both physical and professional. He uses his typical ways of directing, which have by now become his trademark. Robin's Review: B. Harry Caine (Lluis Homar) is blind, a screenwriter and not whom he seems to be. Recommended. I was delighted to watch "Broken Embraces", although it did seem to get off to a slow start. By. Pundits have complained that Broken Embraces just retreads the director's old ideas; I see it more as variations on a theme – familiar, but still engrossing. But behind the style is disappointing substance, a melodramatic story that's as old as Hollywood. P edro Almodóvar’s Broken Embraces is a lush, deeply romantic noir dense with nods to films past, yet it plays as if it sprung fully formed from the director’s unconscious. Broken Embraces (DVD Review) 15 Mar, 2010 By: Mike Clark. on. Review by Peter Canavese Released: (2009) For some time, Spanish director Pedro Almodovar has been on a winning streak, his handsome and comfortably budgeted films garnering critical praise and strong box-office from the art-house crowd. With Broken Embraces, Almodovar's fifth collaboration with muse Penelope Cruz, he paints a cinematic portrait simultaneously as delicate as a flower yet as excruciatingly painful as a dagger piercing the heart. Broken Embraces (DVD Review) 15 Mar, 2010 By: Mike Clark. Almodovar is so amazingly visual, and there are several unforgettable images in Broken Embraces. Indeed, Broken Embraces mirrors our own - but brightly. Cannes film festival review: Almodóvar's Broken Embraces reels you in 4 / 5 stars 4 out of 5 stars. It is shot in a way that you not only are watching one Almodovar film but two as there … After the movie is over and the trance has lifted, it is difficult to recall just what was so entrancing or even what the film was about. Like Oscar Wilde's famous cigarette, it is a perfect type of pleasure which leaves one not   unsatisfied exactly but with a feeling that its substance has vanished into the air like smoke. Broken Embraces is a sometimes distant film that gains immediacy from Almodóvar’s supremely confident visual style and the rush of its stories inside stories. and to receive email from Rotten Tomatoes and Fandango. For Broken Embraces, however, the heat seems to have cooled.If Volver was the peak of the Almodovar/Cruz collaboration, then Broken Embraces is the beginning of the descent down the other side of the mountain. “Broken Embraces’’ is drunk on its divinely sexy and sinister compositions. Cinema as a profession of faith. This is Ray, a sulky gay man played by Rubén Ochandiano, looking in the 90s like someone David Walliams might portray in a TV   comedy called Little Spain. Time Out says. Don't have an account? The thoroughly strange "Restaurant without a View" is a drastically different take on Mateo's birthday dinner, one that awkwardly enables his only friends to experience something … It tells the story (within a … Broken Embraces (2009) - Reviews & Comments. Share; Tweet; T he employment of façades is a key motif in Broken Embraces, and an unintentionally apt one at that, given that Pedro Almodóvar’s latest encases its old-hat tropes under a superficially stunning veneer. Playing an unhappily married actress portraying an Audrey Hepburn -like waif in the movie within this Spanish-language movie, she’s able to access a gamut of expressions with a tilt of her head and an upturn of her mouth. Gorgeous and seductive, if pitched at Almodóvar fans and perhaps a touch long. The film centers around a filmmaker who falls in love with an actress who is the producer’s mistress. It marks a continuation of his infatuation with (a) bold primary colours and (b) Penelope Cruz. Its consensus states "Pedro Almodóvar's fourth film with Penélope Cruz isn't his finest work, but he brings his signature visual brilliance to this noirish tale, and the cast turns in some first-class performances." Whereas Nine is inconsequential, miscast and littered with forgettable songs, Broken Embraces is neatly lined with unabashed melodrama, lush camerawork and narrative suspense. "Don't smile …" gasps the ecstatic director, "… the wig is false enough!". Robert Barry wonders if this latest Penelope Cruz vehicle sees the legendary director building on past greatness or merely cannibalising his own work. The sensual pleasures of Pedro Almodóvar's lush new meta-melodrama are the more intense for being fleeting. So one could speak of Broken Embraces.Pedro Almodovar, as an educated cinephile having assimilated his influences well, from Hitchcock to Eisenstein, while passing by Rossellini and himself, delivers a film noir of protean richness. and the Terms and Policies, Penelope Cruz dazzles in Pedro Almodovar's latest lusty melodrama. Broken Embraces (15) Pedro Almodovar's longest film is also among his least memorable. A writer in Madrid telling the audience that he used to be a film director who wrote his movies under the pseudonym “Harry Caine”. Part film noir, part anthology film, part Douglas Sirk-like melodrama; it's Pedro Almodóvar and his muse Penélope Cruz firing on all cylinders. Penélope Cruz and Lluís Homar star in Pedro Almodóvar's 'Broken Embraces' Sony Pictures Classics By Joe Morgenstern. The streak continues with "Broken Embraces," though with less force. The rest of the movie reveals how Harry became blind. Broken Embraces. BROKEN EMBRACES is a Spanish melodrama about passion and tragedy. "Broken Embraces" marks Almodovar's first self homage, moving from the overwrought melodramas of Douglas Sirk to the equally over-the-top telenovella style of "Women on the Verge of a Nervous Breakdown", quoted here as a film within a film. If the "mature" period of Almodóvar's career is levelling out, it is still producing intensely intelligent and watchable films, although observers are entitled to notice that Almodóvar is keen to stress the sexual attractiveness and prowess of older men. ; HD): Broken Embraces' reel of deleted scenes features three distinct sets of footage, and first among them is a failed attempt by a figure in Mateo's past to reconnect with him. Broken Embraces is certainly moody, and that's one of its charms. The scattered story takes some time to come together, but like all Almodóvar films, it coalesces quite neatly. With his usual excellent cast, and of-late muse Penelope … Deleted Scenes (12 min. Broken Embraces was released in 2009 and has generally received positive reviews. But somehow, instead of setting up house in our memory it departs quickly and lightly when it is done. So much for a film that tries too hard to be original. This is the bewitching Lena, short of course for Magdalena, played by Penélope Cruz, whose beauty here reaches a swooningly hyper-real state, a camp mirage of Hollywood loveliness, especially in the scene in which she tries on various costumes and styles in the dressing room mirror, experimenting with a platinum-blonde Marilyn look. From his signature "primary colors" sets to outright re-enactments of certain scenes in "Women", it was great acting and a lot of fun. Broken Embraces is a foreign film from the highly acclaimed Spanish director Pedro Almodovar about passion and obsession. It currently holds a score of 76 (generally favorable reviews) on Metacritic. In another life, when he could still see, he was known as Mateo Blanco, a filmmaker of some repute. And what happened to Lena herself? But Broken Embraces shows Almodóvar in a rather Hitchcockian mode of controlled play, opaque and melancholy psychological ripples, and intermittent threat. I was delighted to watch "Broken Embraces", although it did seem to get off to a slow start. That is not to say that it is a bad film. Some say Broken Embraces pays homage to Hitchcock and to be sure there is here, when it comes to romance and desire, a shared sense of danger and intrigue, as well as an eye-popping colour scheme seemingly gleaned from Vertigo. Two figures, for instance, writhe beneath a form-flattering sheet in a … Read full review In the way of so many Almodóvar films, Broken Embraces is built on a system of dual narrative with father/son and gay/straight opposites. Forgot your password? Broken Embraces Review. Now that he’s become blind, he has taken on the persona of his alter-ego, Harry. September 21, 2009. As I mentioned in my review of Bad Education, Almodovar films, like those of many internationally respected directors, are judged by different standards. 'Broken Embraces' is a really, really great little movie. Film Review - Broken Embraces November 19, 2009. Sidney Poitier’s 7 Most Memorable Performances, All Harry Potter Movies Ranked Worst to Best by Tomatometer. Broken Embraces: movie review ( - ) ( Monitor Movie Guide ) Almodóvar and Cruz turn to noir in ‘Broken Embraces,’ a film within a film that draws on movie greats. Please enter your email address and we will email you a new password. by Lex Walker Pedro Almodovar has a knack for creating visceral films all the more powerful for appealing to the viewer's simpler capabilities. Lluís Homar plays a blind screenwriter in present-day Madrid with the assumed name "Harry Caine"; while still sighted, he was once a distinguished movie director working under his real name, Mateo Blanco. Stars Penélope Cruz, Lluis Homar, Bianca Portillo. A lavish, noirish melodrama sparkling with Pedro Almodovar’s trademark humour, Broken Embraces - the director’s eagerly awaited 17th feature - … Why is Mateo blind? The sheer, gorgeous style of Broken Embraces is what is so seductive; with his cinematographer Rodrigo Prieto, Almodóvar conjures a vivid, rich palette of colours, which have the texture of something by Alfred Hitchcock or Douglas Sirk, but his handling of the material is so confident and distinctive that it goes beyond pastiche. And I was very delighted to see all the "call backs" to "Women On The Verge" in this film. BROKEN EMBRACES is a Spanish melodrama about passion and tragedy. Get the freshest reviews, news, and more delivered right to your inbox! 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